Sans-titre ou cent-titres is a performance that reinvokes the choreographic material of their piece Medieval Crack. The gaps that had been forgotten, abandoned in the final form of the piece, are set in motion by an improvised, interactive protocol with the audience. The spectators propose titles for the piece, choosing from a list of suggested words, which then give rise to dances. Sans-titre ou cent-titres recycles, without dramaturgy, without chronology, without linearity, in a senseless and sensitive way.